A 75 sqm expo booth turned into a fully operational TV studio with AR, PTZ camera coverage and remote production control executed from 800 km away.
The project compressed studio engineering, graphics, prompting, switching and playout into a remote workflow where only the presenters remained on site while the full production stack was operated from a distant control center.
The brief was to convert a 75 sqm event booth into a live-capable studio and keep almost the whole production workflow off site. The system had to remain responsive enough for real broadcasting while preserving visual quality, camera variety and AR output.
The booth was rebuilt as a compact AR-ready studio linked to a remote control center. Camera switching, lighting cues, graphics overlays, prompting and Dalet playout were all executed from 800 km away, allowing the production team to reduce the on-site footprint without reducing broadcast discipline.
The film shows how a dense booth environment can still feel measured and broadcast-grade when control is centralized: camera positions stay responsive, graphics remain spatially integrated and the final output reads as a complete studio rather than a temporary stand build.
Seven 4K PTZ cameras covered three zones and created enough camera variety for a booth-scale studio to feel editorially rich on air.
The response envelope stayed tight enough for practical live operation, allowing the remote team to pan, tilt, zoom and reframe with confidence.
Wide, medium and close-up perspectives could be derived from a single 4K feed, expanding shot vocabulary without crowding the booth with extra hardware.
The graphics layer used Unreal Engine 5 for live 3D augmentation, connecting the presentation environment with a more premium and contemporary visual language.
Switching, prompt operation and Dalet playout were consolidated into the distant control center, keeping the event floor clean and focused.
The signal chain relied on secure IP-based transmission over long distance, allowing the studio to function as part of a wider distributed broadcast system.
The booth required only presenters on location while the core technical team remained remote, cutting travel and floor complexity dramatically.
Despite the temporary venue conditions, lighting cues, camera response and AR integration held together as a coherent broadcast experience.
The case demonstrates a replicable model for forums, exhibitions, roadshows and distributed media operations where talent stays local and control stays centralized.
This case shows the more distributed side of EXMION: it combines event production, broadcast engineering, AR integration and networked control into one model that can travel beyond a traditional fixed studio.
A regional broadcast floor redesigned into four flexible program zones with remote-managed AR capability.
Open project pageA larger-format concept for a media campus with studio pavilions, broadcast infrastructure and XR/IP-ready planning.
Open project page